Publications

  • [Bovermann and Griffiths, 2014] Bovermann, T. and Griffiths, D. (2014). Computation as material in live- coding. Computer Music Journal, 38(1). in Press.
  • [Bovermann et al., 2011] Bovermann, T., Rohrhuber, J., and de Campo, A. (2011). Laboratory methods for experimental sonification. In Hermann, T., Hunt, A., and Neuhoff, J. G., editors, The Sonification Handbook, pages 1–586. Logos Publishing House, Berlin, Germany.
  • [Bovermann et al., 2010] Bovermann, T., Tu ̈nnermann, R., and Hermann, T. (2010). Auditory augmenta- tion. International Journal of Ambient Computing and Intelligence (IJACI), 2(2):27–41.
  • [Bovermann et al., 2012a] Bovermann, T., Tu ̈nnermann, R., and Hermann, T. (2012a). The weather at your fingertips: An auditory augmentation application. In Proceedings of the ACM conference on Designing Interactive Systems 2012. ACM conference on Designing Interactive Systems.
  • [Bovermann et al., 2012b] Bovermann, T., Tu ̈nnermann, R., Leichsenring, C., and Hermann, T. (2012b). Upstairs: Supporting peripheral awareness between non-colocated spaces. In Lecture Notes in Computer Science. Springer Verlag.
  • [Grond et al., 2011] Grond, F., Bovermann, T., and Hermann, T. (2011). A supercollider class for vowel synthesis and its use for sonification. In Proc. of the Int. Conf. on Auditory Display 2011.
  • [Lai and Bovermann, 2013] Lai, C.-H. and Bovermann, T. (2013). Audience experience in sound perfor- mance. In Proceedings of the 13th International Conference on New Interfaces for Musical Expression, Daejeon + Seoul, Korea Republic.
  • [Parker and Bovermann, 2013] Parker, J. and Bovermann, T. (2013). Dynamic fm synthesis using a network of complex resonator filters. In Proceedings of the Sound and Music Computing Conference 2013, pages 668 – 673, Stockholm. KTH Royal Institute of Technology, Sound and Music Computing Group. ISBN 978-91-7501-831-7.

Workshops and Seminars

New Musical Instruments

Designproject, 3rd−7th semester BA and diploma

Within the research project new electronical instruments will be developed together with students from product design, generative arts and soundstudies. Inspired by invited musicians and their technical set-ups solutions may be integrated in existing instruments or even new instruments will be generated. Since the project is cooperation based working within groups, transdisciplinary work flow and getting into the spirit of the creative works borderland is in focus.

weekly meetings on tuesdays, 10:00 – 17:00

Grunewaldstrasse 2-5, room 111

first date: 28.10.2013 (attention: monday!)